I wheeled my suitcase full of art goodies out the door at 11:59 PM so we were walking with suitcase from 2008-into-2009 this year; emphasis on art + communication, with walking as a given now.
Please consult your welcome packet in regards to Community Involvement and Meeting Artists and let us know if there are any New Orleans artists or other community members that you would like to meet during your residency, and if so, who?
01. Henri Schindler, Creative Director, Rex ; co-founder: Society de Ste Anne (walking club) 02. Ersy (Schwartz), bronze sculptor: “Hommage to Society Of Ste. Anne”. Arthur Roger Gallery, Ogden, NOCCA 03. members of the US Coast Guard, New Orleans esp if I can walk on neighboring USCG property 04. neighbors: Audubon Nature Institute, Endangered Species Research Center, Dr Betsy Dresser 05. people who are building designing re-designing, planning visioning changes in New Orleans area … ? possible interest: John Hoal, architect - H3 Studio, Unified New Orleans Plan or maybe not as literal as that --- could be natural or man-made, grand scale or small scale 06. anyone who wants to talk about MRGO !! (individuals, US Army Corps of Engineers, conservationists, pilots, researchers, ANY TULANE people, etc) 07. anyone with a boat who wants to go on Mississippi River or MRGO or in a swamp/bayou 08. people who want to walk 09. residents of Hopedale, LA 10. absolutely open to suggestions, surprises, serendipity !
A very good and succinct explanation by Geshe Tashi Tsering in his book The Buddha's Medicine for the Mind: Cultivating Wisdom and Compassion:
"Intention is the most important of all mental events because it gives direction to the mind, determining whether we engage with virtuous, non-virtuous, or neutral objects. Just as iron is powerlessly drawn to a magnet, our minds are powerlessly drawn to the object of our intentions.
An intention is a mental action; it may be expressed through either physical or verbal actions. Thus, action, or karma, is of two types: the action of intention and the intended action. The action of intention is the thought or impulse to engage in a physical or verbal act. The intended action is the physical or verbal expression of our intention. Karma actually refers to the action of intention but in general usage it includes the intended action and the seeds that are left in the mind as a result.
How do we accumulate karmic seeds? Every physical and verbal action is preceded by mental activity. Goodwill motivates a kind gesture; ill will motivates nasty words. Ill will is the intention to cause mental, emotional or physical harm. Thus, before and during a bad action, ill will is present in our mind. The presence of ill will before and during this act has an impact and influence on the mind due to which a certain potential is left behind. This potential is a karmic seed, a seed planted in our mind by physical, verbal or mental action. The strength or depth of this seed is determined by a number of factors, including how strong our intention is, whether we clearly understand what we are doing, whether we act on our intention and whether the physical and verbal action is completed.
Seeds will remain in the mind until they ripen or are destroyed. Seeds left by negative mental events and actions can be destroyed by the four opponent or antidotal powers. The most important of these four powers are regret for the negative act and a firm resolve not to act that way again in the future. Seeds left by positive mental events and actions can be destroyed by anger.
Even if we do not act on a negative intention, a karmic seed of diminished potency is still left in the mind. This incompleted seed is easier to remove. If it is not destroyed, a negative seed will eventually produce an unpleasant and negative effect while a postive seed will produce a pleasant and positive effect. Karmic seeds do not go to waste even after one hundred aeons. They will come to fruition when the time comes and the conditions assemble.
Actions motivated by the wish to attain Buddhahood for the benefit of all sentient beings and dedicated to that end have a special feature. The positive effects of such an act will be experienced many times over without being exhausted. For this reason, virtue dedicated to complete enlightenment is likened to a magnificent tree that bears fruit every season without fail. Such virtues will bear fruit until Buddhahood is attained."
yes getting ready for Kings of Leon tomorrow night at The Warfield. I keep thinking about how things intersect and feed, seed.
I first heard of Kings of Leon through Chrissie Hynde.
WARFIELD CHRISSIE HYNDE KINGS of LEON HUTCHENCE, INXS BRUCE COCKBURN ROCK & ROAR
SB: [laughs] But you were inducted into the Hall [Rock & Roll Hall of Fame] by Neil Young.
CHRISSIE HYNDE: That was the good part. It was absolutely amazing. I mean, getting to play with Neil--it was worth 25 years of playing for that moment.
SB: Were you surprised that he said he was inspired by you guys?
CHRISSIE HYNDE: I think it's the other way around. Is that what he said?
SB: Yeah.
CHRISSIE HYNDE: You know, I guess it works like that in the rock game. I met Kings of Leon recently, and I said to them, "Wow, you guys. Thanks for getting me through the last year of my life." And they said, "Thanks for getting us through high school." That really cheered me up.
anne devine hard sweet hard a studio in the woods changing landscapes
hard sweet hard is three card monte hard sweet hard is tic tac toe hard sweet hard is 7.66
hard sweet hard is science hard sweet hard is math hard sweet hard is art
hard sweet hard is alchemy hard sweet hard is chance hard sweet hard is magic
hard sweet hard is woods hard sweet hard is water hard sweet hard is walk
hard sweet hard is personal hard sweet hard is perspective hard sweet hard is performance
hard sweet hard is simultaneous hard sweet hard is spontaneous hard sweet hard is spectacular
hard sweet hard is collaboration hard sweet hard is community hard sweet hard is context
instructions for hard sweet hard:
01. begin with a willingness to engage anything 02. believe that people can do anything 03. proceed with joy 04. stop as needed to bring the humanity back 05. conclude in knowing no connection is too small
KEYWORDS: connecting, reclaiming, seeding, seeding behavior, networks, proximity, locus of control, translation, transformation.
THEORY: 7.66 is a changing landscape: loss of canopy (trees reaching a high level) is resulting in greater light and new strategy, seeding a more dynamic structure. Observing experiencing and examining this landscape will inform creative ways of reaching new and existing audiences for the dispersal of educational environmental information and the seeding of strong personal connection to our global ecosystem.
hard sweet hard is a series of investigational walks:
01. in the woods (7.66) – solo walks, walks with those knowledgeable of the local ecosystem (ie ASITW Environmental Steward/Curator Dave Baker), walks in communication with others/general public, and with invited guests as available
02. in the surrounding environment (beyond 7.66 among the woods, along the Mississippi River and the area’s natural environment, connecting with the local parish and its residents),
03. and a performative distance walk connecting ASITW with Tulane University (the academic site of Environmental Studies) and the residents of the city of New Orleans.
DIALOGUE: hard sweet hard is a working dialogue of exchange between the artist and the public, especially residents of the area. in presentation, I would like to hold an open studio day, invite people on a public group walk in the woods, and give an artist’s presentation of walks taken and work completed during residency, to include a text piece and a sound work.